The general process that I use to create my work involves painting on the polystyrene first, and then treating the painting with chemicals. The result is a piece where each mark of paint substantial enough to resist the solvents, whether it be in depth, or width of line remains at least partially on the surface while the negative space recedes and decays around each mark I have made. The patterns the foam melts into creates a weight and value for the negative space that causes it to seem equal to, or in many instances more significant than the marks themselves. Whether it be painting with a brush, dripping or splattering, the application of the paint becomes almost secondary to the result of the process. The action of painting is also very important to me, it is the record of my improvised movements, and decisions. The process following my expression serves to enhance, warp, and kill the original painting. By chemically reducing the ground of the original painting, I am creating tactile surface and literal depth around and within the mark, through which the viewer is capable of entering the painting.

Image Left:
Untitled
Paint and Melted Polystyrene on Wood Board
approx. 30 x 20 x 10 in.
2013